Kathakali

Kerala owes its transnational fame to this nearly 300 years old classical dance form which combines facets of ballet, opera, masque and the pantomime. It is said to have evolved from other performing arts like Kootiyattam, Krishnanattam and Kalarippayattu. Kathakali explicates ideas and stories from the Indian epics and Puranas.


Presented in the temple precincts after dusk falls, Kathakali is heralded by the Kelikottu or the beating of drums and to the accompaniment of the Chengila (gong). The riches of a happy blending of colour, expressions, music, drama and dance are unparallelled in any other art form.


Kathakali Make-up
Cotume is elaborate with the face painted up. Great importance is laid on the Vesham or make-up which are of five types - Pacha, Kathi, Thadi, Kari and Minukku.

The pomp and magnificence of Kathakali is partly due to its décor, part of which is the kireetam or huge headgear and the kanchukam the over sized jackets, and a long skirt worn over a thick padding of cushions. The identity of the actor is completely mutilated to create a super human being of larger-than-life proportion.
Pacha (Green)
Pacha Vehsam or the green make-up portray noble protagonists or a divine character. .
King Nalan from Nalacharitham, Lord Rama, Arjuna etc are examples.

Kathi (Knife)
Kathi Vesham portrays villainous characters. kamsa in  Kamsa Vadham. is a 'kathi vesham'.


Thadi (Beard)
There are three types of bearded or Thadi Veshams.
  • "Vella Thadi" or White beard. Superhuman monkeys like Hanuman, and Nandikeswara are characterized by this role. 
  • "Chuvanna Thadi" or Red beard meant for evil characters. The most ferocious and cruel characters appear in Chuvanna thadi vesham. Usually Rakshasas (demons), Asuras (according to Indian mythology Asuras live on earth and represent evil and Devas live in heaven and represent goodness), and certain kings use Chuvanna thadi as they are all cruel and shrewd characters.
  • "Karutha Thadi" or Black beard for the hunter. 

Kari (Black)


Kari Vesham is used for she-demons. It also represents low characters.






Minukku
Minukku(Prettying Up)
The "Minukku Vesham" is used for female characters and sages. The term is associated with beauty.

Mudra
Mudra is a stylized sign language used to depict an idea, a situation or a state of being. A Kathakali actor enacts his ideas through mudras. For this the actor follows a systematic sign language based on Hastalakshana Deepika, a treatise on the language of hand gestures.There are 24 Basic Mudras in the Hasthalakshana Deepika. There are 'Asamyutha Mudras' (that is shown using single hand) and 'Samyutha Mudras' (mudras shown in double hands) in each Basic Mudras, to show different symbols. Considering all these Mudras and their seperations there are totally 470 symbols used in Kathakali.

Kathakali Music
The language of the songs used for Kathakali is Manipravalam. Though most of the songs are set in ragas based on the microtone-heavy Carnatic music, there is a distinct style of plain-note rendition, which is known as the Sopanam style. This typically Kerala style of rendition takes its roots from the temples. Kathakali orchestra is formed of two varieties of drums - the maddalam and chenda; the chengila which is a bell metal gong and the ilathalam or cymbals.

Kathakali Training
Students of Kathakali have to undergo rigorous training replete with oil massages and separate exercises for eyes, lips, cheeks, mouth and neck. Abhinaya or expression is of prime importance as is nritya or dance and geetham or singing.

Together with highly evocative facial expressions, the mudras and the music both vocal and instrumental, Kathakali unfolds stories from a bygone era in a lofty style reminiscent of the Greek plays. Kerala Kalamandalam is the prominent institution imparting Kathakali training in the traditional way.

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